Provincetown

Gallery Ehva

Contemporary & Early Provincetown Art

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2010 season schedule

sculpture garden

space

 

Ewa Nogiec, Director

Winter hours:
Fri, Sat, Sun Noon-4pm

 

provincetown
contemporary artists

James Bakker
Rachel Brown
Daniel Cleary
Barbara Cohen
Tamar Cohen
Didier Corallo
Daniel Dejean
Tasha Depp
Donna Dodson
Rob DuToit
Jenny Fragosa
Lorrie Fredette
Wendelin Glatzel
Iren Handschuh
Suzanne Harding
Myrna Harrison
Alicia Henry
Jenny Humphreys
Leslie Gillette Jackson
Jane Kogan
MP Landis
Bill Liebeskind
Virginia Luppino
Jay McDermott
Kevin McDermott
Andy Moerlein
Ewa Nogiec
Fawn Potash
Richard E. Smith
Sterck/Rozo
Lisa Ventre
Michael Walden
Rob Westerberg

Special Collection:
Richard Baker

Sculpture Garden (outside):
Whale Tail: Greg Clemence
Wind: Donald Gerola
"Diana Godess of the Hunt": Jerry Holmes

 

Phil Smith, Show Installations


74 Shank Painter Road
P.O. Box 1426
Provincetown, MA 02657
508-487-0011
508-776-4856 (cell)
www.galleryehva.com
art@galleryehva.com

AMPLE PARKING!

 

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Visit great sites about art & Provincetown:

ProvincetownArtistRegistry.com
iamprovincetown.com

William Harry Warren Bicknell | Joseph Birren | Evelin Bodfish Bourne
Peter Busa | Frank Carson | Oliver Chaffee | Dorothy Lake Gregory
Marion Hawthorne | Blanche Lazzell | Joseph Kaplan | Karl Knaths
Doris Lindo Lewis
| William Littlefield | Dorothy Loeb | Olga Sears
Marcus Waterman
| Agnes Weinrich | D.C. Wyman

 

Gallery Ehva, Contemporary and Early Provincetown Art

 

Tasha Depp

July 31-August 9, 2009
Opening Friday, July 31, 6-8pm

 

I am a painter, making painterly paintings, but with a concern for the connection of painting to the real world. For example, can painting make a piece of trash beautiful enough to hang on the gallery wall? Are some pieces of trash beautiful on their own? And likewise, is a detailed painting of underbrush a "throw-away" view or can it be as interesting and compelling as the distant vista with mountain and sky? So my painting practice asks questions....

My paintings are representational. They are detailed elaborations of architectural incidents as they occur in nature; overlapping tree branches, overgrown undergrowth, and networked branches, interlaced grasses.

I am currently exploring painting on non-traditional surfaces such as cast off fiberglass, metal, plastic. Afterall, these surfaces are not bio-degradable, perhaps that makes them archival?

-- Tasha Depp

 

Gallery Ehva, Tasha Depp, Detritus #6 oil on linen

Tasha Depp, Detritus #6, 9 x 12, oil on linen, 2007

Tasha Depp

Tasha Depp, Trashflower - Morning Glory Platter, 15 x 15, oil on disposable serving tray

Tasha Depp

Tasha Depp, Trashflower #17, 19 x 10, oil on cardboard toy packaging

Tasha Depp

Tasha Depp, Autumn Underbrush, 16 x 20, oil on linen

 

Tasha attended Cooper Union Art School in NYC when she was 18, and then lived and worked in the city for the next 20 years. She and her family moved to Catskill, NY, 7 years ago.

She is a painter who teaches graphics, drawing, and painting in the Catskill area. Additionally, she homeschools her children and cultivates a massive vegetable garden.

Tasha Depp resume (pdf document)