Gallery Ehva ~ Contemporary and Early Provincetown Art: Dorothy Loeb (1887-1971)

Provincetown

Gallery Ehva

Contemporary & Early Provincetown Art

Ewa Nogiec, Director

Gallery hours:
Mon-Tue 11am-6pm
Wed-Sun 11am-8pm

provincetown
contemporary artists

James Bakker
Cid Bolduc
Rachel Brown
Daniel Cleary
Barbara Cohen
Didier Corallo
Daniel Dejean
Donna Dodson
Rob DuToit
William Evaul
Jenny Fragosa
Lorrie Fredette
Edward Giobbi
Wendelin Glatzel
Julie Gorn
Iren Handschuh
Myrna Harrison
Alicia Henry
Jenny Humphreys
Leslie Gillette Jackson
Zehra Khan
Jane Kogan
René Lamadrid
MP Landis
Bill Liebeskind
Jay McDermott
Kevin McDermott
Andy Moerlein
Ewa Nogiec
Fawn Potash
Meg Shields
Richard E. Smith
Sterck/Rozo
Lisa Ventre
Michael Walden
Rob Westerberg

Special Collection:
Richard Baker

Sculpture Garden (outside):
A Boat for the Impossible Journey: Andy Moerlein
Elevation: Andy Moerlein
Listening for Lightning: Andy Moerlein
Wind: Donald Gerola

74 Shank Painter Road
P.O. Box 1426
Provincetown, MA 02657
508-487-0011
www.galleryehva.com
art@galleryehva.com

AMPLE PARKING!

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Visit great sites about art & Provincetown:

ProvincetownArtistRegistry.com
iamprovincetown.com

Dorothy Loeb (1887-1971)

July 17-29, 2009
opening Friday, July 17, 6-8pm

Dorothy Loeb Monotypes

Dorothy Loeb was born in 1887. Her initial art studies took place at the Art Institute of Chicago where she exhibited in 1915-17 and again in 1929. Ross Moffett had also attended classes at the Art Institute in 1911 until 1913. During this period a group of paintings from the 1913 Armory Show traveled to Chicago. It is probable that this is where she first became influenced by Henry Matisse's work. It is also possible that she followed Ross Moffett and his roommate, Henry Sutter to attend the painting school founded in 1899 by Charles Hawthorne that had drawn Blanche Lazzell to Provincetown. A friendship and exchange of artistic information developed between these two artists. Dorothy may have first met Blanche in Paris where Loeb studied with Louis Marcoussis and Lazzell with Charles Guerin and David Rosen or possibly in 1923-24 when they studied with Leger.

It would seem impossible in such a small community as Provincetown that Dorothy Loeb and Ross Moffett were not aware of each other's monotype production. A comparison of their output, particularly in the late twenties supports this conjecture. An untitled monotype presumably depicting Adam and Eve by Moffett in the collection of the National Museum of Art relates closely to those of Loeb, which have spiritual, if not religious overtones. Loeb's monotypes have a certain lyrical quality that almost borders on the mystical side. These allegorical prints abound with creativity, fantasy and a fertile imagination. Perhaps the monotypes were inspired by the Tahitian paintings and prints of Paul Gauguin. It also seems that Loeb followed Ross Moffett's interest in monotype rather than pursuing Blanche's penchant for the white-line print. Although Lazzell experimented with monotype, she produced relatively few in comparison to Loeb's prolific output.

Loeb's first exhibited at the Provincetown Art Association in 1923. 1926 would bring Loeb and Lazzell together for a common artistic cause. A petition signed by thirty members of the Provincetown Art Association demanded an additional show for "the Moderns" of equal duration at the annual summer members' show. This venue was voted in at the annual meeting. Dorothy and Blanche would serve together on the committee in charge of the "First Modernistic exhibition" held in July of 1927 and served with Agnes Weinrich, Lucy L'Engle, Ellen Ravenscroft and seven other male artists to form the jury and hanging committee.

In 1927, Dorothy Loeb was included as a "star" by Nancy W. Paine Smith in her Book About the Artists . Loeb exhibited in the Worcester Art Museum of Art in the 1938 exhibition "American Painting Today" and "Contemporary New England Painters" at the Institute of Modern Art of Boston in 1939 Loeb was also featured with Blanche Lazzell in a two person Works Project Administration Exhibition held at the Federal Art Gallery in the Spring of 1939 in Boston. Dorothy Loeb continued to paint throughout her career until her death in 1971.

James R. Bakker

Dorothy Loeb, monotype

Dorothy Loeb, monotype, 17 x 20-1/2, signed lower right

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This information is from Kathryn Petersen, grand niece of Dorothy Loeb.

We have four Dorothy Loeb paintings dated 1956, 1959, 1960 and 1963 all with signatures. These were painted in Mexico. There are two other paintings one of me as a child that would have been painted in the early 1950's and one abstract painting with no signature or date. They are oil on paper one may be on canvas. She couldn't afford canvas in the years we knew her.

We know our aunt Dorothy studied in Paris with Leger. There was an exhibit in Provincetown in January 2002 of Dorothy Loeb and Blance Lazzell. This article mentions that Loeb and Lazzell both worked in Paris and perhaps met there.

There is an earlier WPA exhibit March 28 April 15, 1939 of Lazzell and Loeb. The Art Institute of Chicago has a Dorothy Loeb painting listed in its Ryerson-Burnham archives listed online.

Dorothy Loeb's family lived in Chicago where she grew up. My father (Bob Longini) was the son of Gertrude Loeb, Dorothy's sister, and there was at least one other sister and brother.

Our Aunt Dorothy lived most of her later years in a small town in Mexico in the province of Queretero. Four (or perhaps five) of the paintings we have were done there. She also travelled around the world on "tramp" steamers and buses. She lived on a very small annuity from her family. She returned to the US we think sometime in the early 1960s. She died in a nursing home in Los Angeles in 1971.

[courtesy James R. Bakker Antiques, Inc.]